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IamK77IamK77/Skill/skills/surface/livery/SKILL.md

livery

Skill2 starsChanged 31 days agoApache-2.0View on GitHub

Explore coherent visual directions across colour, type, space, form, imagery, and motion. Use to invent a visual character, not to certify polish or run every atelier lens.

The file

We split this skill into the rules it gives an agent

3 rules. About 0 are common, 3 are distinctive, and 0 are very specific to this project.

  • ≈0

    Common · estimate

    Many files like this have a rule of this kind.

  • ≈3

    Distinctive · estimate

    This author's own choices. Worth a look.

  • 0

    Very specific

    Tied to their project's names, files or tools. Probably skip.

  • Common
  • Distinctive
  • Very specific
  1. Distinctive:

    Keep the message fixed and imagine it spoken as an atlas, a studio instrument, and a handwritten field note.

    line 32
  2. Distinctive:

    Use an atelier lens for a promising dimension, or systems when the human wants a selected direction turned into reusable tokens and …

    line 46
  3. Distinctive:

    Read selectively when a thread needs another perspective or a concrete technique.

    line 50

≈ “Common” is an estimate: at least 1 in 5 of the 350,495 skill files we read have a rule of the same kind, not the same words. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.

Keep what fits and drop the rest. Your version, ready for your agents.
Files
SKILL.md
<!-- Copyright 2026 IamK77 — Licensed under the Apache License, Version 2.0. See ./LICENSE and ./NOTICE · https://www.apache.org/licenses/LICENSE-2.0 -->

livery

Explore coherent visual directions across colour, type, space, form, imagery, and motion. Use to invent a visual character, not to certify polish or run every atelier lens.

Starting point

A visual identity can be an argument expressed through several senses. Look for one generative idea that changes more than decoration without forcing every dimension to shout.

Bring a question, fragment, reference, or tension. Follow whichever association becomes useful; these invitations are not a sequence to complete. Speculation should remain distinguishable from an observed fact.

Thought experiments

Translate an unlikely source

Choose a material, place, craft, or cultural form connected to the subject. Translate a relation—pace, contrast, layering, precision—into interface decisions. Avoid simply copying its surface.

Hold one voice, change the orchestration

Keep the message fixed and imagine it spoken as an atlas, a studio instrument, and a handwritten field note. How do type, spacing, colour, and motion support each voice together?

Compose a productive contradiction

Try warmth with precision, density with calm, or play with authority. Find the dimension that can carry each half rather than averaging them into blandness.

A possible turn

A tide-monitoring tool could borrow the quiet layering of a nautical chart, the urgency of an instrument panel, or the patient annotations of a field notebook. A coherent direction emerges from those relationships, not from adding unrelated “premium” details.

Leave the space open

Offer a few genuinely different possibilities, a sketch, an analogy, or a sharper question when useful. Do not turn every prompt into a scored diagnostic, a completion gate, or a demand for an action plan. The human may choose a direction, combine them, or leave the question open.

Use an atelier lens for a promising dimension, or systems when the human wants a selected direction turned into reusable tokens and components.

Optional references

Read selectively when a thread needs another perspective or a concrete technique. The notes supply possibilities, examples, and limits; none is a prerequisite or a requirement to close the exploration.

  • Colour and light as a shared visual premise
  • Translate a selected relationship into reusable implementation
  • Material as a compositional choice
  • A visual grammar rather than a collection of assets
  • Character through timing and continuity
  • A visual voice across several dimensions
  • Shared meaning across different rendering media
  • Typography as a relationship with the reader

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