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layout

Skill2 starsChanged 31 days agoApache-2.0View on GitHub

Invent spatial compositions through attention, rhythm, and alternative information metaphors. Use for layout exploration, not a fixed grid-and-spacing inspection routine.

14 other projects use a version of this.

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Projects with it also use accessibility.

Other files people use alongside this one.

Files found in the same public projects as a version of this one, more often than they turn up anywhere else. Each project counts once, large collections count for less, and this file's own repository is left out.
  • ElasticSkill

    accessibility

    Accessibility guidance for Kibana. Use this skill when working with or reviewing EUI components, resolving a11y-related (@elastic/eui) ESLint issues, and ensuring proper use of ARIA attributes, focus management, keyboard interactions, and accessible naming conventions.

    Also in 3 projects that use this

The file

We split this skill into the rules it gives an agent

2 rules. 0 are common, 2 are distinctive, and 0 are very specific to this project.

  • 0

    Common

    Most of the 14 edited versions we read keep these.

  • 2

    Distinctive

    This author's own choices. Worth a look.

  • 0

    Very specific

    Tied to their project's names, files or tools. Probably skip.

  • Common
  • Distinctive
  • Very specific
  1. Distinctive:

    Remove a region, create a pause, or let one element stand alone.

    line 32
  2. Distinctive:

    Read selectively when a thread needs another perspective or a concrete technique.

    line 50

“Common” is measured: kept by at least 6 in 10 of the 14 edited versions of this file we could read. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.

Keep what fits and drop the rest. Your version, ready for your agents.
Files
SKILL.md
<!-- Copyright 2026 IamK77 — Licensed under the Apache License, Version 2.0. See ./LICENSE and ./NOTICE · https://www.apache.org/licenses/LICENSE-2.0 -->

layout

Invent spatial compositions through attention, rhythm, and alternative information metaphors. Use for layout exploration, not a fixed grid-and-spacing inspection routine.

Starting point

A layout proposes a path of attention. Rather than arranging every item neatly, imagine what the reader encounters, overlooks, returns to, or discovers.

Bring a question, fragment, reference, or tension. Follow whichever association becomes useful; these invitations are not a sequence to complete. Speculation should remain distinguishable from an observed fact.

Thought experiments

Change the map

Arrange the same content as a timeline, a constellation, a shelf, or a conversation. Which relationships appear that a card grid hid?

Compose with absence

Remove a region, create a pause, or let one element stand alone. What does the empty space allow the remaining content to say?

Let an awkward case lead

Begin with the long title, the empty dataset, or the narrow viewport. Treat it as a compositional seed rather than a defect patched after the hero screen.

A possible turn

A project overview as equal cards emphasises inventory. As a time horizon it emphasises sequence; as a cluster around unresolved questions it emphasises uncertainty. The useful invention may be a new information relationship rather than new CSS.

Leave the space open

Offer a few genuinely different possibilities, a sketch, an analogy, or a sharper question when useful. Do not turn every prompt into a scored diagnostic, a completion gate, or a demand for an action plan. The human may choose a direction, combine them, or leave the question open.

Keel can implement a chosen journey; seaworthy handles its operational states. Ordinary CSS questions do not require either workflow.

Optional references

Read selectively when a thread needs another perspective or a concrete technique. The notes supply possibilities, examples, and limits; none is a prerequisite or a requirement to close the exploration.

  • Compose around incomplete and changing work
  • Let difficult content shape the composition
  • Structure attention, not only alignment
  • Cadence through space and density

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