retro-print
Skill1 starsChanged 3 months agoMITView on GitHub
Genre pack: Risograph / 70s–80s print revival. Warm paper, pigment inks (one red + one blue maximum), halftone dot textures, misregistered ink offsets, rubber-stamp details, poster typography. Use for zines, events, agencies, food/drink brands, music, and anything wanting a warm analog voice. Stack on the design-taste core skill.
In this repository23 other files it gives its agents.
- brutalist-industrialSkill
- cinematic-motionSkill
- corporate-trustSkill
- dark-techSkill
- design-tasteSkill
- editorial-minimalSkill
- japanese-minimalSkill
- neo-brutalismSkill
- playful-colorSkill
- quiet-luxurySkill
- taste-accessibilitySkill
- taste-brand-identitySkill
- taste-code-craftSkill
- taste-code-reviewSkill
- taste-colorSkill
- taste-design-reviewSkill
- taste-design-systemSkill
- taste-gsapSkill
- taste-landing-pageSkill
- taste-motionSkill
- taste-typographySkill
- taste-ux-copySkill
- taste-web-performanceSkill
The file
We split this skill into the rules it gives an agent
2 rules. About 0 are common, 1 is distinctive, and 1 is very specific to this project.
≈0
Common · estimate
Many files like this have a rule of this kind.
≈1
Distinctive · estimate
This author's own choices. Worth a look.
1
Very specific
Tied to their project's names, files or tools. Probably skip.
- Common
- Distinctive
- Very specific
- Very specific: line 27
NO gradients, NO antialiased-looking shadows (no box-shadow blurs), NO pure white backgrounds, NO screenshots-in-browser.
- Distinctive: line 42
No emoji. No linear icons — typographic markers (✳, →, ◆) or drawn dot-grid marks only.
≈ “Common” is an estimate: at least 1 in 5 of the 350,495 skill files we read have a rule of the same kind, not the same words. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.
Files
retro-print
One identity: a risograph poster that just came off the drum — straight print, honest misregistration.
1. PALETTE (Fixed)
- Paper:
#F4EDDE(warm print stock). Alternate panel:#EBE2CF(slightly pulled). - Ink:
#21201C(print black). - Inks — exactly two, at most: riso red
#E4572Eand riso blue#355E8C. If the brief needs one, use red. If two, red + blue. Never a third. - NO gradients, NO antialiased-looking shadows (no
box-shadowblurs), NO pure white backgrounds, NO screenshots-in-browser.
2. TYPOGRAPHY (Fixed)
- Display: a single-weight condensed/display poster face (Anton, Archivo Narrow 800, or the system's heaviest), uppercase,
clamp(2.8rem, 8vw, 7rem), tight leading 0.95–1.0. Poster volume, not editorial whisper. - Body: a quiet serif (
Newsreader, Georgia) at 16–18px, 1.6–1.7 — the print contrast to the shouting display. - Labels/metadata: monospaced caps (
IBM Plex Mono),letter-spacing: 0.1em, 10–12px, ink or red. - The signature: misregistration offsets — display text with
text-shadow: 2px 2px 0 var(--riso-red)(or blue). Apply to 2–3 headings max, never body. One offset direction per page.
3. TEXTURE & DETAIL (The Craft That Sells It)
- Halftone: dot fields via
repeating-radial-gradient(radial-gradient(var(--ink) 1.2px, transparent 1.3px)at 8–12px grid), capped at ~2 panels per page. Inverse (paper dots on ink field) counts as one. - Rough edges: elements may sit flush to viewport edges, section separators can be full-bleed ink rules — print bleed, not web padding.
- Stamps: mono caps in a circle or pill with a dashed ink border, rotated 1–3°, max two per page (e.g., one in the nav, one in an attribution). Stamp = dashed, always.
- Halftone numbers: big display numerals (01, 02) in red with blue offset.
- No emoji. No linear icons — typographic markers (✳, →, ◆) or drawn dot-grid marks only.
4. COMPOSITION (Fixed)
- Poster grid: asymmetric columns (5/7 or 4/8), one giant element per viewport, rules (1–2px ink) doing the separation instead of cards.
- Hero: kicker stamp → giant display headline (offset applied) → body serif block right-aligned in 4/12 → two-line mono colophon under ("SKITTIE VOL. 02 — PRINTED IN FIVE COLORS").
- Features: numbered print index — big figure + serif name + body description on hairline-divided rows.
- Pricing: three poster cards — paper / ink field (paper type) / paper + red; 2px ink borders, square corners. The ink card is the featured.
- Photographs (if any): duotone — grayscale →
sepia→hue-rotatetoward ink, contrast 1.15, with a 1.5px ink frame. Grain via faint noise if available.
5. MOTION (Almost None — Prints Don't Move)
- One entrance: sections reveal with a 200ms snap-up (6px), like paper landing.
- Hover: link color flips to red, 100ms. Nothing drifts, nothing rolls, no parallax — the illusion is physical print.
- QR/archive jokes allowed in copy, not in motion.
6. CHECKLIST (Fail the Page If…)
- More than two ink colors (red + blue max) in use.
- Any gradient or blurred shadow.
- Any pure white background.
- Any emoji.
- Display type not uppercase or smaller than ~2.8rem.
- Body text set in a sans.
- No texture anywhere (no halftone, no misregistration, no stamp) — that's the identity.
- Misregistration offset applied to body text.
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