cinematic-motion
Skill1 starsChanged 3 months agoMITView on GitHub
Genre pack: the site-of-the-day aesthetic — the page as a film projected on studio print. Warm paper canvas, near-black ink type, one vivid electric-blue accent, grotesk display, alternating scene canvases, a scrubbed index counter, text-dissolve pins, and a drag-driven card carousel. For portfolios, product launches, agencies, and any brief that wants premium scroll-driven storytelling. Requires taste-gsap for the implementation. Stack on the design-taste core skill.
1 other project uses a version of this.
Adopted by
Most recently taken up by
- liveliho/cinematic-motion-skilltheir own version, first seen Nov 1, 2026
Other versions1 project uses a version of this.
Word for word · 0
None found.
Edited · 0
None found.
Wrote their own version · 1
- liveliho/cinematic-motion-skill★ 1same name
How matches are found. Word for word: the exact same text. Edited: shares passages with this file (“99% same” means 99% of its five-word phrases also appear here; 10% or more counts). Their own version: similar meaning, or, weakest, the same name. We can’t tell which project had it first. Projects are counted among the 200 most-starred candidates, and mentions are links to the repository we found, up to 50 per site, so both counts are a floor.
In this repository23 other files it gives its agents.
- brutalist-industrialSkill
- corporate-trustSkill
- dark-techSkill
- design-tasteSkill
- editorial-minimalSkill
- japanese-minimalSkill
- neo-brutalismSkill
- playful-colorSkill
- quiet-luxurySkill
- retro-printSkill
- taste-accessibilitySkill
- taste-brand-identitySkill
- taste-code-craftSkill
- taste-code-reviewSkill
- taste-colorSkill
- taste-design-reviewSkill
- taste-design-systemSkill
- taste-gsapSkill
- taste-landing-pageSkill
- taste-motionSkill
- taste-typographySkill
- taste-ux-copySkill
- taste-web-performanceSkill
The file
We split this skill into the rules it gives an agent
3 rules. About 0 are common, 1 is distinctive, and 2 are very specific to this project.
≈0
Common · estimate
Many files like this have a rule of this kind.
≈1
Distinctive · estimate
This author's own choices. Worth a look.
2
Very specific
Tied to their project's names, files or tools. Probably skip.
- Common
- Distinctive
- Very specific
- Very specific: line 28
NO gradients (the paper is the texture — clean, flat, no grain, no blends), NO second accent, NO pure black (#000), NO white sections.
- Distinctive: line 36
No body text below 14.5px.
- Very specific: line 53
No emoji. No icons — typographic marks (✳) and CSS-drawn mini-data-visuals only (funnel bars, wave bars, cohort grids — ink shapes with one …
≈ “Common” is an estimate: at least 1 in 5 of the 350,495 skill files we read have a rule of the same kind, not the same words. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.
Files
cinematic-motion
One identity: opening credits, projected on studio print — the scroll is the projector, the paper is the screen, and one electric blue is the light.
1. PALETTE (Fixed)
- Canvas:
#F7F5E7(warm studio paper — never white, never grey). Cards:#FCFBF4. Hairline rules:rgba(18,18,18,0.14). - Ink:
#121212(all primary type). Muted:rgba(18,18,18,0.55)(labels, secondary). On dark scenes invert: ink canvas, paper type,rgba(247,245,231,0.16)hairlines. - Accent — exactly one:
#0F4BFD(electric blue). Used for: the accent word, one hairline, stats, one fill. That's the budget. - The canvas flips are the rhythm: paper scenes alternate with ink scenes and one full blue scene. Scene-hops are the signature; max two ink scenes (the index and the roadmap own them) and one blue section per page.
- NO gradients (the paper is the texture — clean, flat, no grain, no blends), NO second accent, NO pure black (
#000), NO white sections.
2. TYPOGRAPHY (Fixed)
- Display: a tight grotesk (
Inter Tight), weights 500–700, sentence case. NO serifs, no italics — the accent word earns attention by color alone. - Headlines:
clamp(3rem, 9vw, 8rem), weight 600, leading 0.94, tracking−0.04em. One blue accent word per headline, never two. - Scene h2s: same family, weight 600,
clamp(1.6rem, 3.4vw, 2.6rem), tracking−0.02em, with mono kickers. - Labels/metadata: mono caps (
ui-monospace/IBM Plex Mono),letter-spacing: 0.14em, 10–11px, muted. Numbered kickers:01 — THE LEAK,02 — THE INDEX. - No body text below 14.5px; body in the grotesk at 400, line-height 1.65–1.7, muted for secondary.
- CTAs are pills (this pack allows them): ink pill, blue fill sweeps up on hover (
::before+transform: translateYtransition). Max one pill per viewport besides the nav.
3. COMPOSITION (Fixed)
- The film structure: hero with a live product screen (paper) → statement brief (paper) → the pinned index (ink) → marquee (paper, outlined type) → statement brief (full blue) → drag carousel (paper) → detail accordion (paper) → the pinned roadmap (ink) → evidence (paper) → the close (blue) → footer (ink).
- One pinned index + one pinned roadmap = two pins total — the budget (see taste-gsap: desktop-only,
+=ends). - The giant scrubbed index numeral (the
63%beat) sits pinned, counting with the scrub; the roadmap pin scrubs its four steps up a rail whose fill climbs in blue (steps build, they never crossfade-swap). - Hero presence without video: the live product screen — a CSS-built dashboard (live counter that ticks, funnel bars, a playing waveform, stat cells) that reads like product footage without a single video frame. All its loops are CSS keyframes, killed under reduced motion; the tick is a JS interval, gated.
- The accordion is native
<details>/<summary>— first itemopenby default, rotating+medallion, no JS required to work, no-JS complete by construction. - Hero atmosphere: a blue particle field (canvas, ~60 dots, upward drift, ≤ 0.16 alpha) and one dashed orbit ring, rotating slowly — both JS-gated, both dead under reduced motion.
- Index numerals: giant, weight 600, sitting in scene corners where kitchen-sink kits would put pictures.
4. CONTENT TREATMENT
- Numbered kickers keep the filmic beat structure:
01 — THE LEAK→05 — THE CLOSE. The footer is the colophon:A SKITTIE FILM — PRODUCED IN 60 FPS. - Copy is quiet, confident, filmic: short lines, no exclamation marks, no superlatives. One blue accent word per headline carries the emotion.
- No emoji. No icons — typographic marks (
✳) and CSS-drawn mini-data-visuals only (funnel bars, wave bars, cohort grids — ink shapes with one blue cell). - One primary CTA per viewport; the secondary action is a mono text link with a blue underline.
5. MOTION (The Soul — See taste-gsap)
- The page runs on a
gsap.context+matchMediashell: everything animated lives inside(prefers-reduced-motion: no-preference)and heavy effects inside(min-width: 768px). - The signature moments, in order: preloader (percentage counter ≤ 2s, slides away, only when JS + motion are active — hidden by default in CSS) → hero intro timeline (
expo.out, masked line rises, the product screen slides in from the right, ≤ 1.4s) → the index pin: giant numeral counts0 → 63scrubbed with snapping, lines dissolve in stagger, progress hairline fills → marquee (CSS, outlined) → the drag carousel (Draggable + inertia,boundsfromscrollWidth − offsetWidth, force-snapped native scroll as no-JS fallback, cursor swaps to a blue "DRAG" medallion) → the roadmap pin: four steps rise along a rail as its blue fill climbs, scrubbed → metric count-ups on entry. - The atmosphere layer: Lenis smooth scroll (see taste-gsap §1), difference-blended custom cursor (lerped with
quickTo, grows on interactive hover, DRAG label over the carousel, hidden on coarse pointers), magnetic primary CTA (≤ 5px pull), scroll-progress hairline in the nav. The hero's live counter ticks on an interval — a cheap "it's alive" beat that dies with the rest under reduced motion. - Durations 0.9–1.6s; easing
power3.out/expo.out; scrub smoothing0.6–1. All motion ontransform/opacity(see taste-gsap §3). The close headline's accent word renders hollow-outlined (stroke, transparent fill) — a still-frame moment that doesn't move at all. - The page must be complete and beautiful with JS off and with reduced motion on — pins collapse to stacked sections, the carousel becomes a native scroll-snap strip, the index shows its final value. If the still frame is boring, it fails.
6. CHECKLIST (Fail the Page If…)
- Any gradient, any second accent, any pure black, any white section.
- The accent blue used for a full section and the close — only one full-blue scene allowed.
- More than two ink (dark) scenes — the index and the roadmap own them.
- A headline with no blue accent word, or two of them.
- Any serif or italic type — this identity is grotesk-only.
- More than one marquee, or a marquee that runs under reduced motion.
- No numbered kickers / no film metaphor in the copy.
- More than two pins total, any pin below 768px, or animation without matchMedia gating.
- A drag carousel with no native scroll-snap fallback (JS off), or one that can't be reached with a keyboard.
- An accordion built with anything but native
<details>/<summary>— it must work with JS off. - Hero "video" (or a live screen) that keeps animating under reduced motion.
- A preloader that could ever show without JS, or that runs under reduced motion.
- A custom cursor visible on touch devices, or content that depends on cursor feedback.
- Animated layout properties or a reveal that hides content permanently if JS fails.
- The page's wow depends on the animation — the still frame must carry it.
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