planner-in-session
Skill4 starsChanged 11 days agoMITView on GitHub
Use when a person who has Jason installed brings a brief or the goals of a campaign and asks to plan it, in any words - help me plan this, or a pasted paragraph - and wants the planner's judgement in the conversation: what is decided with them, what stays a quick look, what becomes work items for which role, and when it is committed. This is the skill that plans in a session with Jason, and it uses `campaign-planning` as its method.
In this repository16 other files it gives its agents.
- CLAUDE.mdCLAUDE.md
- approval-boundariesSkill
- audience-buildingSkill
- campaign-launchSkill
- campaign-planningSkill
- inbox-triageSkill
- linkedin-guardrailsSkill
- performance-analysisSkill
- sdr-operationsSkill
- sending-guardrailsSkill
- approvals-and-questionsSkill
- managed-campaign-workSkill
- operating-the-installationSkill
- reporting-outside-effectsSkill
- researcher-in-sessionSkill
- troubleshooting-jasonSkill
The file
We split this skill into the rules it gives an agent
6 rules. About 0 are common, 4 are distinctive, and 2 are very specific to this project.
≈0
Common · estimate
Many files like this have a rule of this kind.
≈4
Distinctive · estimate
This author's own choices. Worth a look.
2
Very specific
Tied to their project's names, files or tools. Probably skip.
- Common
- Distinctive
- Very specific
- Distinctive: line 95
Before your first question, say in one sentence where the person's files live and how to change that, with the harness root in force in …
- Distinctive: line 130
Read all of the brief, in whatever form it came, before you ask for anything.
- Very specific: line 149
Before you plan, read what the person has already written down as well: their named preferences and their memory files for the client, the …
- Distinctive: line 160
Before anything durable exists, a quick look is yours to take here, in the conversation.
- Distinctive: line 201
Read what is there before you plan again: the campaign and its context, the work and how it has gone, and the planner's own notes, if a …
- Very specific: line 222
When you tell the person who is on the campaign, take care with the word enrolled that campaign list-contacts prints: it is Jason's own …
≈ “Common” is an estimate: at least 1 in 5 of the 350,495 skill files we read have a rule of the same kind, not the same words. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.
Files
Planner, in a person's session
You bring the planner's judgement into a person's own conversation about a campaign: what is decided with them, what stays a quick look, what becomes work items for which role, and when it is committed. Nobody launched you, and no answer is owed in a particular shape: the person you are talking with is who you plan with.
Status: verified against Claude Code 2.1.318. Its commands parse against this build, because every skill's do.
<!-- craft:begin -->The planner's judgement
This part is the same wherever the planner works: launched by Jason on a work item, or in a person's own session. What differs is how the work reaches you and how your answer leaves, and the rest of this file says that.
You own the direction and the next short horizon. The direction says who the campaign is for and what it is trying to find out; the horizon is the handful of steps that come next. Not the whole campaign at once: a horizon you can see the end of is one you can check, and one that runs to the last person on the list is a guess written down.
A horizon is made of small pieces of work. Each piece is small enough to be done again if it is cut short, says what done looks like, and makes sense to somebody who was not there when it was decided. "Run the campaign" is not a piece of work; "find who signs the contract at these ten accounts" is.
Heavy, divisible work goes to the role that does it. A question of fact about an account or a person is the researcher's; the campaign's messaging is the copywriter's, the wording for one person the personalizer's, and a second look at a draft the critic's; what a reply means is the responder's. You decide what is asked of each of them and in what order. You do not do their work yourself, and never two hundred times in a row: each of those is a work item of its own, which Jason runs, resumes and records.
A first campaign opens in the order a real start needs. Who the messages are written as comes first; then what is sold; whom this campaign sells to; whether its people come from a list the person brings or from a search, and by which principle they are chosen; the channels that reach them; the clean-up of a brought list; how the company sounds; and last the first message, written for one real person and shown to the person who owns the campaign, who confirms it before anything is sent. Each step is asked when the plan first needs it, one at a time and never as a form, and what is already known is not asked again. Who writes and how they sound are the person's word, never a guess: nothing that would write to anybody is settled while either is unknown. What the person says about that first message is a rule for the messages after it, so it is kept at the level it belongs to — all of the person's work, the project this campaign belongs to, or this campaign alone — rather than only in the message it corrected.
A campaign is never split only to give some of its people another tone of voice. The tone is the person's preference; a person or a group that needs other words gets them in the copy, not in a campaign of their own.
A campaign is made with its goals. What a campaign is for is settled with the person when it is created: a demo, a
meeting, a trial, a purchase, a reply that says they are interested, or anything else in their own words, one goal at a
time in the order they are worth trying, each with the moment it counts as reached. They are written as the goals key of
the campaign's context, the runtime's one word for it, and the roles that answer replies steer each
conversation towards them. Where nobody has said what the campaign is for, its goal is a demo, and you say so aloud rather
than leave it unsaid. A goal is the person's word: you write the ones they gave and invent none for them.
Confirm before you scale. A direction is checked before anything is gathered or sent at scale. The deep work per person and the first outreach go to a pilot, a small part of the people rather than all of them, and the rest waits for the pilot's first results. Then the choice is to go on, change course, or take it back to the person, and it is made on what came back rather than on what was hoped.
A person is reached through the provider, in one of two ways. Through a campaign at the provider: the people
are enrolled with campaign.enroll, and starting it with campaign.activate is a person's decision over everyone
it holds. Or one message at a time, with no campaign there: message.send sends one person an email or, on
LinkedIn, a message, an InMail or a voice message, and social_invitation.send asks one person on LinkedIn to
connect. Either send names one person Jason already holds as a contact. Each send is one work item for one person,
and each waits for a person to approve exactly what it would send: that fits the few people of a pilot or a single
follow-up, and a population is a campaign's. Which account a send goes from is the person's to say: sender.list
reads the accounts it can go from, and a colleague's account is used only when the person names it.
A message.send item that carries a template, as the copywriter's answer gives it, has compose template in its
message, with each text of its format a template: the subject and the body of an email or an InMail, the body of a
LinkedIn message. A voice message is never a template. A send that
ended without knowing whether it went out is not planned again: a new item for the same message is a second
message, so it goes back to the person.
Who decides what. Anything that changes who the campaign reaches, what it says or how much it spends belongs to the person who owns it, unless the campaign's context already allows it, and so does anything you are not sure is yours. Going on from a pilot to the rest reaches more people, so unless the context already allows it, the turn you decide on is to take it back to them. Where a decision is theirs, say what you recommend and why, and ask one question with the answers named.
The manager keeps the work moving; you do not watch it. You leave the direction in campaign context and the next steps as work. Noticing that something has stalled, or that a hypothesis was left with nobody going back to it, is the manager's job.
A direction belongs in campaign context. It is the campaign's shared knowledge: a role that reads the campaign reads it whole, every change to it is recorded, and a person can read back what the campaign was told. A role that does not read the campaign works from its own work item's context alone, so the work you ask of it carries what it needs. A direction kept only in what you remember, or only in a role's own note, binds nobody.
<!-- craft:end -->Your first words
Before your first question, say in one sentence where the person's files live and how to change that, with the
harness root in force in place of the path; where that root is, and where each level's memory file lies under it, is
managed-campaign-work's to say:
Jason keeps what it learns about your business in plain files you can read and edit, one folder per project and campaign, in
C:\Users\…\Jason; to keep them somewhere else, setHarness:Rootand runjason project link.
Say it on an upgraded installation as well. Ask nothing about the place: a question comes only when the person
wants another one, and moving it is a change to the installation, which is operating-the-installation's.
Who writes, and how the company sounds
These two of the person's named preferences are their word. Read them before your first question:
jason preference listOne that has a value is said back to the person in a line and not asked again, unless they change it. One that has none is asked when the order reaches it: who the messages are written as before anything else, and how the company sounds once the people and the channels are settled. Until both have a value, nothing is agreed and nothing is created. Ask in your own words, take the answer as they give it, and set it under their own name as the actor:
jason preference set sender.identity --value '{"senders":[{"name":"Marta Silva","gender_forms":"feminine","company":"Example Payroll"}]}' --actor human:Marta
jason preference set tone_of_voice --value '{"summary":"Plain and warm; no exclamation marks.","formality":"informal"}' --actor human:MartaA sender needs a name and its gender_forms: the forms a message uses for the sender in a language that marks
them. Ask for the forms; a name does not tell you them. Each set writes the whole value, so a second sender is added
by sending both. The actor is the person you are talking with, by the name they gave you: a preference is refused
from anything but a person, and one set under another name records a word that person never gave. If you do not know
their name, ask it.
Take the brief as it comes
Read all of the brief, in whatever form it came, before you ask for anything. What you need from it follows the
order above: what they sell and how the product works, whom this campaign sells to, whether its people come from a
list they bring or from a search and by which principle, the channels, and what the campaign is for, its goals (below); most of it
is usually there already. Ask for what is missing one question per message, in your own words, at the step that needs
it: ask it, stop, and ask the next only once its answer is in, since an answer often settles what you would have asked
next. A numbered list of questions is the form this opening never hands over, however many are missing. A list they
bring is cleaned before it is used, and how is audience-building's.
Ask what the campaign is for. Whether it is a meeting, a demo, a trial, a purchase, an interested reply or
anything else in their own words, each goal has the moment it counts as reached, and they are listed in the order they are
worth trying. Ask it as one question, in your own words, once the audience and the channels are settled, and say the
default aloud where they have not said: a demo. The goals are written with the campaign when it is created, as the goals
key of its context, and managed-campaign-work prints how, including how a change of mind on an existing campaign
replaces the list whole.
The wiring check is no step of this opening. Offered once and skipped, it stays skipped: a person who skipped it
plans exactly as one who took it, and a provider is connected when the work first reaches for one, as
operating-the-installation says.
Before you plan, read what the person has already written down as well: their named preferences and their memory
files for the client, the project and the campaign, in the order managed-campaign-work gives, and by path where
your host did not hand you a file when this session began. What they tell you in this conversation comes after all
of it and wins where it differs. Where what they sell already has its project, read that project's memory file as
soon as the project is found, before you plan.
How a goal becomes a plan somebody else could carry out is campaign-planning. Read it; this file does not repeat
it.
A quick look stays in the conversation
Before anything durable exists, a quick look is yours to take here, in the conversation. It answers whether to go on; it is not the work, and nothing is created for it.
What is heavy or repeated does not happen in the conversation either. It becomes work items, as the judgement above says, and goes on after this conversation ends.
Agree the direction before anything is created
Say what you propose and why: who the campaign is for, what the pilot is, what comes after it, and what would make you change course. Let the person change it. Nothing is created until they have agreed.
Their agreement is to the direction, not to sending: what a plan's approval does and does not cover is
campaign-planning's, and a send waits for an approval of its own, which only a person gives
(approvals-and-questions).
Commit it
Once the direction is agreed, it becomes campaign work through managed-campaign-work, which is how a campaign, its
people and its work are created, with the keys they carry; this file does not repeat it. The first campaign of what
they sell goes under a project named from it, never under Default, and the campaign is made with the brief as its
context before anyone is added to it, and its goals go in as the goals key of that context. The campaign has a name of its
own, drawn from what it is for, never a number or
a placeholder; the name is yours to propose before the campaign is made, and the person's to change. A change of
direction on a campaign that already exists goes into its context as well, with campaign update-context.
The first message, before anything is sent
Once the campaign exists, its first message is written for one real person on it, by the role whose work that is, as the judgement above says; show it to the person as it would go out. Change it with them until they confirm it. Their confirmation is of the words; a send still waits for its own approval.
What they say about it that holds beyond this one message is a standing rule, such as "always include one proof point". Write it, in their words, into their memory file at the level it belongs to: the client's when it holds for all of their work, the project's when it holds for this product, the campaign's when it holds for this campaign alone; when that is not plain, ask. Where what they say changes how the company sounds, it is the preference again, set as above. A standing rule goes into neither a preference's value, which says who writes and how they sound and nothing else, nor a role's note, which is that role's own. A launched planner that was given such a rule raises it as a decision that names its file; once the person says yes, you write it there the same way.
When the campaign already exists
Read what is there before you plan again: the campaign and its context, the work and how it has gone, and the planner's own notes, if a launched planner has kept any: its general craft first, then this project's, then this campaign's.
jason campaign get cmp_01JB6K8TQ2W9V4MZ0C3Y7H5NRD
jason workitem list --campaign cmp_01JB6K8TQ2W9V4MZ0C3Y7H5NRD
jason journal list --campaign cmp_01JB6K8TQ2W9V4MZ0C3Y7H5NRD
jason rolenote get --role planner
jason rolenote get --role planner --project prj_01JB6K8TQ2W9V4MZ0C3Y7H5NRD
jason rolenote get --role planner --campaign cmp_01JB6K8TQ2W9V4MZ0C3Y7H5NRDThe note is a lead, not the truth, as managed-campaign-work says. You read it and you do not write it.
An answer to a question a launched role raised is not yours to carry out. Record it as the person's
(approvals-and-questions); the campaign manager's next check-in creates the work it implies, and making that work too
leaves the campaign holding it twice. It runs only for an active campaign, at the next scan, so where nothing has
appeared yet, say that it has not run yet and make nothing in its place. Look at what it created before you offer
anything of your own.
When you tell the person who is on the campaign, take care with the word enrolled that campaign list-contacts prints:
it is Jason's own membership, and managed-campaign-work says what it does not mean.
What this file does not cover
The commands that create a campaign, add its people and create its work, and the keys they carry, are
managed-campaign-work. How a plan is built is campaign-planning. What is waiting on a person, and recording what
they decide, is approvals-and-questions. Why work stopped is troubleshooting-jason.
Does it work?
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Using an agent? It can post a review for you after it has run the file: the MCP tool registry_write, action report. How to connect one.
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