Theming

Purpose

Build themes that remain readable and coherent when switched. Dark mode is not an inversion; a palette that works on white will not work on black without being redesigned, and inverting it produces the vibrating, exhausting interfaces that dark mode is criticized for.

When to Use

• Adding dark mode to an interface.
• Building a multi-theme or white-label system.
• Generating a palette from a brand colour.
• Fixing a theme where contrast breaks in one mode.

Capabilities

• Semantic token architecture that supports theme switching.
• Dark-mode design (as opposed to inversion).
• Palette generation with perceptually uniform colour spaces.
• Contrast verification across every theme.
• Respecting system preference and user override.

Inputs

• The base palette or the seed colour.
• The themes required: light, dark, high-contrast, per-brand.
• Accessibility requirements.

Outputs

• Semantic tokens that resolve differently per theme.
• Every theme passing contrast requirements.
• A switch that respects the system preference and remembers an override.

Workflow

1. Build on semantic tokens — Components reference --color-surface, never --grey-900. Only the semantic layer changes between themes; components do not change at all.
2. Design the dark theme, do not invert it — Pure black is harsh and causes halation with white text. Use a very dark grey. Desaturate the accents: a colour that is vivid on white is glaring on dark.
3. Preserve the contrast relationships — Verify every text-on-surface pairing in every theme. A ratio that passes in light frequently fails in dark.
4. Work in a perceptual colour space — OKLCH lightness is perceptually uniform; HSL's is not. Generating a scale in HSL produces steps that look wrong even though the numbers are even.
5. Respect the system, allow an override — Default to prefers-color-scheme, and store an explicit user choice.
6. Handle elevation — In light mode, elevation is a shadow. In dark mode, shadows are invisible; elevation is a lighter surface.

Best Practices

• Pure black (#000) with pure white text causes halation — the text appears to vibrate. Every well-designed dark theme uses a dark grey around #121212 to #1a1a1a.
• A saturated brand colour that looks correct on white will glow uncomfortably on a dark background. Reduce its saturation and raise its lightness for the dark theme.
• Elevation in dark mode is conveyed by making a surface lighter, not by adding a shadow. A shadow on a dark background is invisible.
• Test every theme against the contrast requirements. This is the single most common theming failure, and it is entirely mechanical to check.
• A theme toggle that does not persist is a bug that users notice on every page load.
• Do not animate the theme transition on colours. It looks impressive once and is irritating thereafter.

Examples

Semantic tokens, with the dark theme designed rather than inverted:

:root {
  /* Light: surfaces are near-white; elevation is a shadow. */
  --color-bg:              oklch(99% 0 0);
  --color-surface:         oklch(100% 0 0);
  --color-surface-raised:  oklch(100% 0 0);
  --shadow-raised:         0 1px 3px oklch(0% 0 0 / 0.12);

  --color-text:            oklch(20% 0.01 250);
  --color-text-muted:      oklch(50% 0.01 250);
  --color-border:          oklch(90% 0.005 250);

  --color-action:          oklch(55% 0.20 255);   /* the brand blue */
  --color-action-text:     oklch(100% 0 0);
}

[data-theme="dark"] {
  /* Not an inversion. #121212-equivalent, not black: pure black causes
     halation with white text. */
  --color-bg:              oklch(15% 0.005 250);
  --color-surface:         oklch(19% 0.005 250);

  /* Elevation in dark mode is a LIGHTER surface. A shadow would be invisible. */
  --color-surface-raised:  oklch(24% 0.006 250);
  --shadow-raised:         none;

  --color-text:            oklch(93% 0.005 250);  /* not pure white */
  --color-text-muted:      oklch(65% 0.008 250);
  --color-border:          oklch(30% 0.008 250);

  /* The brand blue, desaturated and lightened. The light-mode value
     (55% 0.20) glows uncomfortably against a dark surface. */
  --color-action:          oklch(68% 0.14 255);
  --color-action-text:     oklch(15% 0.005 250);
}

Verifying contrast mechanically, in every theme:

const PAIRS = [
  ["--color-text",       "--color-surface", 4.5],   // body text: AA
  ["--color-text-muted", "--color-surface", 4.5],
  ["--color-action",     "--color-surface", 3.0],   // UI component boundary
  ["--color-action-text","--color-action",  4.5],   // text on the button
] as const;

for (const theme of ["light", "dark", "high-contrast"] as const) {
  for (const [fg, bg, required] of PAIRS) {
    const ratio = contrastRatio(resolve(fg, theme), resolve(bg, theme));
    if (ratio < required) {
      throw new Error(
        `Theme "${theme}": ${fg} on ${bg} is ${ratio.toFixed(2)}:1, ` +
        `below the required ${required}:1.`
      );
    }
  }
}

Notes

• OKLCH is worth adopting specifically because its lightness channel is perceptually uniform. Generating a ten-step scale by evenly spacing HSL lightness produces steps that appear badly uneven; the same in OKLCH does not.
• The "elevation is a lighter surface" rule is the single detail that most distinguishes a well-designed dark theme from an inverted light one.
• Run the contrast check in CI. Themes drift as colours are adjusted, and a failing contrast ratio is silent until a user cannot read the interface.