hyperframes-keyframes
Skill2 starsChanged 14 days agoApache-2.0View on GitHub
Use when a HyperFrames composition needs a punch-in, punch-out, zoom, reframe, Ken Burns treatment, camera move, visual match/whip handoff, or other seek-safe 2D/3D keyframes; also for GSAP, CSS keyframes, Anime.js, WAAPI, FLIP, paths, masks, SVG morph/draw, text trails, 3D depth, or `hyperframes keyframes` diagnostics. Don't use for broad scene strategy, brand design, media sourcing, captions, or general video planning.
We split this skill into the rules it gives an agent
21 rules. 9 are common, 1 is distinctive, and 11 are very specific to this project.
9
Common
Most of the 13 edited versions we read keep these.
1
Distinctive
This author's own choices. Worth a look.
11
Very specific
Tied to their project's names, files or tools. Probably skip.
- Common
- Distinctive
- Very specific
- Distinctive: line 12
Plugin installs: Before setup or freshness commands, follow plugin execution rules when this skill is inside a HyperFrames plugin.
- Very specific: line 18
Use hyperframes-animation for broad scene recipes.
- Very specific: line 43
When editing picture and sound together, load /hyperframes-core, this skill for visual motion, and /hyperframes-audio for fades, …
- Very specific: line 57
Verify with hyperframes check (it runs lint), hyperframes keyframes, one focused --shot, and snapshots at proof times.
- Common: line 58
If proof fails, fix the source keyframes and rerun the smallest failing diagnostic before rendering.
- Common: line 69
Do not reset to rest unless requested.
- Common: line 70
Do not end on black unless requested.
- Common: line 71
If editing a starter scene, preserve layout, copy, assets, colors, and final state unless asked to redesign.
- Very specific: line 81
do not call tl.play() for render-critical motion
- Very specific: line 89
use data-start when timing belongs to a clip
- Common: line 105
Never use for render-critical motion:
- Very specific: line 137
Use labels for semantic states.
- Common: line 147
Do not copy numeric distances or timing from examples.
- Very specific: line 153
Prefer compositor/visual channels: x/y/z, xPercent/yPercent, scale, rotationX/Y/Z, skew, transformOrigin, svgOrigin, opacity, autoAlpha, …
- Very specific: line 155
Avoid layout/lifecycle channels: top/left/right/bottom, width/height, margin/padding, display, visibility, late DOM creation, helper …
- Common: line 183
Follow-through sells energy and direction.
- Common: line 190
Do not overlap tweens that write the same transform property unless the overlap is intentional and verified.
- Very specific: line 191
Avoid animating large clip-path/mask changes while the same hero surface is also scaling or traveling.
- Very specific: line 205
Use one or two diagnostic angles that expose the depth relationship.
- Common: line 234
If selector proof looks wrong:
- Very specific: line 263
Run hyperframes check (it runs lint), hyperframes keyframes, one focused --shot, and snapshots.
“Common” is measured: kept by at least 6 in 10 of the 13 edited versions of this file we could read. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.
Files
Plugin installs: Before setup or freshness commands, follow plugin execution rules when this skill is inside a HyperFrames plugin. Standalone installs keep the update instructions below.
HyperFrames Keyframes
Keyframes are a pose contract: visible states, continuous subject identity, seek-safe runtime, verified pixels.
Use hyperframes-animation for broad scene recipes. Use hyperframes-cli for full command docs. Use references/keyframe-patterns.md only when choosing implementation mechanisms, not visual style.
Creator editing boundary
Keyframes own visual motion, not clip assembly. Source-range hard cuts, trim,
splice, and reorder belong to /hyperframes-core: author one media element per
kept range, place it with data-start and data-duration, and select its source
offset with data-media-start. Adjacent ranges make a hard cut. A crossfade
uses overlapping clips on different tracks plus visual opacity keyframes; sound
fades use /hyperframes-audio.
| Creator request | Truthful mechanism |
| Punch-in / punch-out | Keyframe scale with x/y or percentage translation on a non-timed visual/crop wrapper inside the clip. Use a set/short tween for a hard punch and a tween for a smooth move. |
| Smooth multi-state zoom or reframe | Keep one subject wrapper alive and author multiple zoom/reframe states as a pose ladder with per-segment easing. |
| Pan, reframe, or Ken Burns camera move | Animate wrapper translation plus scale. Geometry is authored; this is not face tracking or automatic semantic reframing. |
| Chained camera moves | Chain labeled transform beats on one registered seek-safe timeline. |
| Match cut or whip pan | /hyperframes-animation owns the visual handoff; /hyperframes-registry supplies primitives; keyframes preserve authored geometry, direction, and velocity. There is no automatic matching-frame discovery. |
| Crop and mask reframe | Interpolate clip-path or a mask on an inner visual wrapper to crop/reframe without changing source time. Polygon keyframes can form a polygon/mask transition. |
| Directional wipe cut or iris/reveal cut | Animate a mask/clip boundary across overlapping visual clips; /hyperframes-animation owns the handoff choreography. |
| Split-screen handoff | Keep both visual clips placed by core, then keyframe their inner crop/mask wrappers and divider geometry. |
| Constant source retime | /hyperframes-core owns normalized data-playback-rate (0.1..10) for render-safe picture and pitch-preserved sound. It is constant for the whole media element. |
| Source speed ramps | A rate lane in data-automation on the <video>/<audio> (t in clip seconds, v 0.1..10, log interpolation); it wins over the constant rate. |
| Freeze / hold | A visual pose, final source frame, or finished sub-composition can hold. Arbitrary mid-source freeze is not supported; preprocess a still/derived segment, place it as its own clip, then resume with another source range. |
When editing picture and sound together, load /hyperframes-core, this skill for
visual motion, and /hyperframes-audio for fades, crossfades, volume automation,
ducking/carve, or effects on the placed tracks.
A visual transition or cropping treatment is not a temporal source trim or
splice. /hyperframes-core owns the timeline, clip timing, and source ranges;
keyframes only animate the visible handoff or crop on wrappers inside those clips.
For copyable combined picture/sound recipes, use /hyperframes-core → references/creator-editing-recipes.md.
Procedure
- Identify the animated subject, visible states, final state, and runtime.
- Choose the smallest mechanism that proves the prompt. Read
references/keyframe-patterns.mdonly if the mechanism is unclear. - Author seek-safe keyframes in the declared runtime. Register the runtime instance only after the build completes; building inside
document.fonts.readyis fine. - Verify with
hyperframes check(it runs lint),hyperframes keyframes, one focused--shot, and snapshots at proof times. - If proof fails, fix the source keyframes and rerun the smallest failing diagnostic before rendering.
Contract
- Name the moving subject.
- Name the poses needed to prove the intended motion, including the final state.
- Keyframe visible channels, not hidden helper state.
- Preserve object identity when continuity matters.
- Crossfade only when the intended motion is replacement or dissolve.
- Hold readable or semantic states long enough to see.
- Final frame is part of the animation, not cleanup.
- Do not reset to rest unless requested.
- Do not end on black unless requested.
- If editing a starter scene, preserve layout, copy, assets, colors, and final state unless asked to redesign.
Runtime Rules
GSAP:
- build at page load or inside
document.fonts.ready, and register only after the build completes - use
gsap.timeline({ paused: true }) - register as
window.__timelines[compositionId] - registry key must match
data-composition-id - do not call
tl.play()for render-critical motion - keep repeats finite
CSS keyframes:
- finite duration and iteration count
- deterministic delay
animation-fill-mode: both- use
data-startwhen timing belongs to a clip
Anime.js:
- create synchronously
autoplay: false- finite duration and loops
- push every instance to
window.__hfAnime
WAAPI:
- finite
duration fill: "both"- deterministic construction
- the text surface does not list WAAPI; verify with
--shot(it seeks WAAPI) and snapshots
Never use for render-critical motion:
Date.now()performance.now()- unseeded
Math.random() - hover/scroll triggers
- timers
- a timeline registered before its async build finishes
- unregistered
requestAnimationFrame - infinite loops
GSAP Skeleton
const root = document.querySelector("[data-composition-id]");
const compositionId = root.dataset.compositionId;
const tl = gsap.timeline({ paused: true });
tl.addLabel("state-a", 0);
tl.to(".subject", {
keyframes: [
{ x: 0, opacity: 1, duration: 0.2 },
{ x: 120, opacity: 1, duration: 0.4, ease: "power2.out" },
{ x: 100, opacity: 1, duration: 0.2, ease: "power2.inOut" },
],
ease: "none",
});
window.__timelines = window.__timelines || {};
window.__timelines[compositionId] = tl;Use labels for semantic states. Use position parameters instead of chained delays. Use immediateRender: false for later from()/fromTo() tweens touching the same property.
Keyframe Forms
- Array keyframes: pose ladder with per-step duration/ease.
- Percentage keyframes: exact timing inside one tween.
- Property arrays: compact multi-stop changes.
ease: "none"on the parent when each stop carries its own easing.easeEachwhen every segment should share the same feel.
Do not copy numeric distances or timing from examples. Derive them from the actual composition geometry and duration.
For one subject moving between two boxes, prefer one continuous transform tween or FLIP. Split x/y/scale into multiple eased keyframes only when the viewer should feel distinct beats; every segment changes velocity and can read as a hitch.
Channels
Prefer compositor/visual channels: x/y/z, xPercent/yPercent, scale, rotationX/Y/Z, skew, transformOrigin, svgOrigin, opacity, autoAlpha, clip-path, masks, CSS vars, SVG path/dash values, camera transforms, shader uniforms.
Avoid layout/lifecycle channels: top/left/right/bottom, width/height, margin/padding, display, visibility, late DOM creation, helper overlays doing subject motion.
For visibility changes, use autoAlpha on the registered seekable GSAP timeline, or a zero-duration tl.set() at an explicit boundary. Target only a non-clip element or a wrapper inside the clip; never target .clip itself. Never duration-tween raw visibility, and never tween display.
Mechanism Choice
Choose the smallest mechanism that proves the prompt:
| Need | Mechanism |
| Same subject changes box or hierarchy | shared element / FLIP |
| Subject travels a visible route | path travel |
| Stroke grows or traces | stroke draw |
| Shape becomes another shape | shape interpolation |
| Reveal boundary is visible | clip, mask, or shader uniform |
| Many items move with order | stagger / indexed delay |
| Text itself moves | line, word, character, or band subdivision |
| Surface bends, stretches, or crops | parent/child counter-transform |
| UI has states | explicit state machine |
| Scene has depth | DOM 3D, Three.js, or WebGL camera/object keyframes |
Mechanisms can combine, but each one must clarify the idea. Decoration is not proof.
Timing
- Anticipation only when it clarifies cause or direction.
- Acceleration leaves rest.
- Peak proof shows the mechanism unmistakably.
- Follow-through sells energy and direction.
- Overshoot only when the subject should feel elastic or tactile.
- Constant-speed path travel usually needs
ease: "none". - Discrete UI states usually need a sharp ease-out.
- Repeated elements need ordered offsets, not identical timing.
- Final lockups need longer holds than transition poses.
- Smoothness means continuous velocity on the same subject.
- Do not overlap tweens that write the same transform property unless the overlap is intentional and verified.
- Avoid animating large
clip-path/mask changes while the same hero surface is also scaling or traveling; use nested reveals after the main move settles.
Text
Preserve line boxes, word spacing, readability, and final fit. If text moves internally, move the glyphs or masked bands, not only decorations around the text. Snapshot readable frames.
SVG
For stroke growth prefer DrawSVGPlugin, then stroke-dasharray/stroke-dashoffset. For shape interpolation prefer MorphSVGPlugin; convert primitives to paths when needed and split complex silhouettes into simpler parts.
3D
Scale alone is fake depth. Use perspective on a stable parent, transform-style: preserve-3d, z travel, rotation, camera/world motion, occlusion, and layer order when objects cross.
Use one or two diagnostic angles that expose the depth relationship. If angled proof shows no depth crossing, improve z/camera/occlusion.
Canvas / WebGL
Keyframe camera position, camera target, object transform, material opacity, shader uniforms, and postprocess intensity through deterministic state. Render from HyperFrames time. Use --ghost because marker boxes cannot see internal canvas motion.
CLI Proof
npx hyperframes check
npx hyperframes keyframes .
npx hyperframes keyframes . --json
npx hyperframes keyframes . --runtime all
npx hyperframes keyframes . --selector "<selector>" --shot "<file>" --samples <n>
npx hyperframes keyframes . --selector "<selector>" --shot "<file>" --layout strip --from <t0> --to <t1>
npx hyperframes keyframes . --shot "<file>" --ghost --angle <angle>
npx hyperframes snapshot . --at <times>Choose <selector> for the real animated subject. Choose <times> for first frame, proof poses, final-minus-hold, and exact final. Choose <angle> only when depth must be proven.
| Tool | Proves |
keyframes | targets, explicit stops, paths, traces, composed parent/child motion, CSS stops, Anime registration |
--shot | ghosts, route shape, time spacing, DOM 3D projection, focused selector proof |
--layout strip | in-place motion, overlaps, contact, subtle scale/opacity, text waves |
--ghost | canvas, WebGL, shader motion, rendered 3D |
snapshot --at | masks, text readability, full state, final lockup, black/reset tails |
If selector proof looks wrong:
- rerun
--json - find the actual animated target
- shoot that target
- snapshot full frames
- trust painted pixels over logs
Diagnostic Reading
flat means no explicit middle poses. keyframes means explicit stops exist. motionPath means a route exists. trace means multi-stroke drawing. composed with means child motion inherits parent motion.
Even ghost spacing means constant speed. Clustered ghosts mean slow-in or settle. Large gaps mean fast travel.
A helper-selector shot is not proof. An onion shot over a broken full frame is not proof.
Error Handling
| Failure | Fix |
| endpoint-only | add middle poses, hold peak proof, rerun --shot |
| identity break | keep one element alive, use shared source/final boxes, remove substitute crossfade |
| fake 3D | add z/camera travel, occlusion, angled proof |
| wrong final | add final hold, snapshot final-minus-hold and exact final |
| unseekable runtime | pause autoplay, remove timers, register the instance after the build completes |
| unreadable text | preserve line boxes, reduce displacement, add final hold, snapshot text frames |
Done
Run hyperframes check (it runs lint), hyperframes keyframes, one focused --shot, and snapshots. Confirm first frame, proof poses, final-minus-hold, exact final, subject-owned motion, and no debug overlays.
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Wrote their own version · 0
None found.
How matches are found. Word for word: the exact same text. Edited: shares passages with this file (“99% same” means 99% of its five-word phrases also appear here; 10% or more counts). Their own version: similar meaning, or, weakest, the same name. We can’t tell which project had it first. Projects are counted among the 200 most-starred candidates, and mentions are links to the repository we found, up to 50 per site, so both counts are a floor.
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In this repository53 other files it gives its agents.
- AGENTS.mdAGENTS.md
- CLAUDE.mdCLAUDE.md
- llms.txtllms.txt
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- gif-editSkill
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- hyperframes-audioSkill
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- hyperframes-coreSkill
- hyperframes-creativeSkill
- hyperframes-registrySkill
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- image-opsSkill
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- music-to-videoSkill
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