logo-design
Skill44 starsChanged 7 months agoMITView on GitHub
Design professional logos as SVG code with browser preview. Use this skill when the user asks to design a logo, create a brand mark, make an icon, or build a visual identity. Also triggers on 'logo', 'brand mark', 'wordmark', 'monogram', 'icon design', 'visual identity', or 'design a logo for'. Outputs clean, scalable SVG files with full design rationale.
We split this skill into the rules it gives an agent
21 rules. 0 are common, 11 are distinctive, and 10 are very specific to this project.
0
Common
Most of the 8 edited versions we read keep these.
11
Distinctive
This author's own choices. Worth a look.
10
Very specific
Tied to their project's names, files or tools. Probably skip.
- Common
- Distinctive
- Very specific
- Distinctive: line 18
Before any design work, you must gather context from the user.
- Very specific: line 51
Run these searches using WebSearch (adapt keywords to the specific brand):
- Distinctive: line 91
Look for shared strokes, overlapping geometry, or smooth joining points
- Distinctive: line 124
Always adapt metaphors to the brand's actual domain — a "V" for a travel brand suggests a bird in flight.
- Distinctive: line 150
Every concept must satisfy all four:
- Distinctive: line 198
Ensure sufficient contrast for readability on both light and dark backgrounds
- Distinctive: line 199
Verify the palette reproduces well across media: screen (RGB), print (CMYK intent), single-color (monochrome)
- Very specific: line 213
Use currentColor for elements that should inherit the parent's text color
- Distinctive: line 233
Stroke weight: ensure visual consistency at all scales.
- Distinctive: line 235
Baseline alignment: when combining icon and text, align to optical center, not mathematical center
- Distinctive: line 236
Custom modifications: consider cutting, extending, connecting, or reshaping individual letterforms to create a unique logotype
- Very specific: line 240
When using live text (for editability), import Google Fonts via @import in <style> and always specify a fallback stack
- Very specific: line 265
Always: use viewBox for scalability.
- Very specific: line 266
Keep markup clean — minimize <g> nesting and avoid unnecessary transform attributes
- Very specific: line 267
Use semantic element names and id attributes for maintainability
- Very specific: line 269
Prefer basic shapes (<circle>, <rect>, <ellipse>, <polygon>, <line>) over complex paths when they achieve the same result
- Very specific: line 270
Ensure all colors are defined in one place (CSS variables or a single <style> block)
- Distinctive: line 273
Before delivering each SVG, verify:
- Very specific: line 312
Create a logos/ directory in the current working directory
- Very specific: line 313
Write each SVG file to logos/
- Distinctive: line 327
After presenting the 3 concepts, ask:
“Common” is measured: kept by at least 6 in 10 of the 8 edited versions of this file we could read. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.
Files
Logo Design Skill
Transform brand identity into distinctive, memorable visual marks. Every logo tells a story — the skill ensures that story is grounded in research, typographic craft, and strategic thinking, then delivered as production-ready SVG.
Output format: SVG vector files, automatically opened in the browser for instant preview.
Phase 1: Discovery & Brief
Before any design work, you must gather context from the user. Ask for anything not already provided.
Required Information
- Brand name — the exact text to appear in the logo
- Industry / domain — what the brand does (drives visual metaphors and tone)
- Brand story / core values — the idea, spirit, or promise the brand wants to communicate
- Target audience — who the primary users/customers are (age, taste, cultural context)
Recommended Information
- Competitors — key competitor names (for differentiation)
- Color preferences — specific colors, or a mood direction (bold, elegant, playful, tech-forward, etc.)
- Style preference (if not specified, recommend based on analysis):
- Wordmark — pure typography (e.g., Google, FedEx)
- Lettermark / Monogram — initials (e.g., IBM, HBO, LV)
- Icon + Text — symbol paired with brand name (e.g., Apple, Nike)
- Abstract Mark — geometric / abstract symbol (e.g., Pepsi, Airbnb)
- Emblem — text enclosed within a shape (e.g., Starbucks, Harley-Davidson)
- Combination Mark — flexible pairing of icon and text
- Exclusions — styles, colors, or elements the user explicitly does NOT want
Phase 2: Market Research & Inspiration
You must conduct web research before designing. This grounds the work in current reality rather than generic assumptions.
What to Research
- Industry logo trends — current mainstream and emerging styles in the brand's sector
- Competitor logo analysis — visual strategies of named competitors; identify patterns to differentiate from
- Typography inspiration — typefaces and lettering styles that match the brand's tone
- Color trends — how brands in the same space use color; opportunities to stand out
How to Research
Run these searches using WebSearch (adapt keywords to the specific brand):
"{industry} logo design trends {current_year}"
"{competitor_name} logo"
"{style_keyword} logo inspiration"
"{industry} brand color palette trends"Compile findings into a brief summary and share key insights with the user before proceeding. Highlight:
- Dominant visual patterns in the industry (what to leverage or avoid)
- Gaps / white-space opportunities (underused styles or colors)
- Notable references worth drawing from
Phase 3: Name & Letterform Analysis
This is the creative engine of the skill. You must perform a deep typographic analysis of the brand name before sketching concepts. The analysis directly informs which logo styles will be most effective.
3.1 Individual Letter Anatomy
Classify each letter in the brand name:
| Category | Letters | Design Implication |
| Symmetric | A, H, M, O, T, U, V, W, X, Y | Geometric construction, mirroring, balanced composition |
| Ascenders | b, d, f, h, k, l, t | Vertical reach; suits tall, aspirational marks |
| Descenders | g, j, p, q, y | Anchoring weight; suits grounded, stable marks |
| Round forms | B, C, D, G, O, P, Q, R, S, e, o | Approachable, organic, friendly feel |
| Angular forms | A, K, M, N, V, W, Z | Sharp, powerful, dynamic energy |
| Open counters | C, G, U, J, c, e, s | Negative-space opportunities |
| Diagonal stress | A, K, M, N, V, W, X, Y, Z | Movement, dynamism; natural for italic or oblique treatments |
3.2 Letter Combination Analysis
Examine how adjacent letters interact — this is where hidden design opportunities live:
- Ligature potential — which letter pairs can naturally merge?
- Classic pairs: fi, fl, ft, tt, ff, Th, AV, VA, AT, LT, TA
- Look for shared strokes, overlapping geometry, or smooth joining points
- Negative-space discoveries — does the combination of letters hide a secondary shape?
- Iconic examples: FedEx (arrow between E and x), Spartan Golf (golfer in negative space), Toblerone (bear in mountain)
- Systematically check: between each pair of adjacent letters, what shape does the counter-space form?
Letter-to-metaphor mapping — connect letterforms to brand-relevant visual concepts:
Letter Possible Visual Metaphors A Mountain peak, tent, upward arrow, compass point B Butterfly wings, infinity (rotated), headphones C Moon crescent, embrace, cup/container D Sail, half-sun, shield E Stacked layers, equalizer bars, comb G Spinning disc, spiral, speech bubble H Bridge, ladder, building I Pillar, candle, exclamation, person K Key, branch fork, signal L Corner, angle, boot, shelf M/W Mountain range, waves, crown, heartbeat N Lightning bolt, staircase, zigzag O Eye, target, globe, sun, ring, lens P Flag, pin, thought bubble Q Magnifying glass, balloon, key R Running figure, flag waving S Path, river, snake, yin-yang flow T Hammer, cross, antenna, tree V Checkmark, wings, victory, valley X Crossroads, multiply, chromosome Y Fork in road, tree, chalice Z Lightning, zigzag path Always adapt metaphors to the brand's actual domain — a "V" for a travel brand suggests a bird in flight; for a fintech brand it suggests a checkmark of verification.
3.3 Visual Wordplay & Hidden Meaning
Push beyond surface-level design:
- Visual puns — embed a secondary image or meaning within the letterforms (e.g., the Amazon smile/arrow from A to Z)
- Negative space — create a second layer of meaning in the space between or within letters
- Semantic connections — explore homophones, word roots, abbreviation meanings, and cultural associations of the brand name
- Number/letter ambiguity — if any letter resembles a number or symbol, consider whether that creates a meaningful connection
3.4 Analysis Output
Compile and present to the user:
- The 2-3 most promising letter combinations or individual letters with creative potential
- 2-3 strongest visual metaphor directions (tied to brand values)
- Recommended logo style(s) based on letterform characteristics
- Any hidden meaning or wordplay opportunities discovered
Wait for user confirmation on the direction before proceeding to design.
Phase 4: Design Philosophy & Style Direction
4.1 Core Design Principles
Every concept must satisfy all four:
- Simplicity & Recognition — works at 16x16 favicon AND on a billboard; if you can't describe it in one sentence, simplify
- Uniqueness & Memorability — the viewer should remember it after a single 3-second glance
- Strategic Extensibility — supports the brand's future growth, not just today's product
- Storytelling — every element has a reason; the logo communicates the brand's essence without words
4.2 Style Directions
Select the most appropriate direction(s) based on the brief and letter analysis:
Modern Minimalist
Strip to essentials. Clean lines, geometric shapes, generous whitespace. Power through restraint. Technique: grid-based construction, mathematical precision, optical alignment.
Retro / Classic
Draw from vintage aesthetics — hand-lettering, badges, textures — but filter through a contemporary lens. Suits brands seeking heritage, craft, and authenticity.
Abstract / Geometric
Express the brand through pure form — circles, triangles, spirals, tessellations. Ideal when the brand transcends a single product or geography. Technique: golden ratio construction, Fibonacci spirals, modular grids.
Hand-drawn / Illustrative
Human warmth through organic linework. Use SVG paths with subtle irregularities to simulate hand-crafted feel. Suits creative, artisanal, or personality-driven brands.
Geometric Construction (Grid-based)
Build the logo on a mathematical grid — golden ratio, circular grids, or modular systems (like the Apple, Twitter/X, or Pepsi logos). Every curve and proportion is derived from the grid, yielding a mark that feels inevitable rather than arbitrary.
Emblem / Crest
Text enclosed within a symbol — shield, circle, badge, seal. Conveys tradition, authority, and prestige. Requires careful balance between enclosure and content.
Phase 5: Color Strategy
5.1 Color Psychology Reference
| Color Family | Associations | Best For |
| Blue | Trust, professionalism, technology, stability | Finance, tech, healthcare, corporate |
| Red | Passion, energy, boldness, appetite | Food, entertainment, sports, urgency |
| Green | Nature, health, growth, sustainability | Wellness, eco, agriculture, finance |
| Orange / Yellow | Optimism, creativity, warmth, youth | Education, creative, food, social |
| Purple | Luxury, mystery, innovation, spirituality | Beauty, premium, creative, spiritual |
| Black / Gray | Premium, minimal, authority, timeless | Luxury, fashion, tech, editorial |
| Pink | Gentle, fashionable, caring, modern | Beauty, wellness, social, youth |
5.2 Palette Rules
- 1 primary + 1-2 accent colors maximum; a strong logo works in a single color
- Prioritize differentiation within the industry — if every competitor uses blue, consider the strategic value of not using blue
- Ensure sufficient contrast for readability on both light and dark backgrounds
- Verify the palette reproduces well across media: screen (RGB), print (CMYK intent), single-color (monochrome)
- Always produce a monochrome (black/white) version — it is the true test of a logo's structural strength
5.3 Color Application in SVG
- Define colors as CSS custom properties in
<style>for easy theming:<style> :root { --brand-primary: #2563EB; --brand-accent: #F59E0B; --brand-dark: #1E293B; } </style> - Use
currentColorfor elements that should inherit the parent's text color - For monochrome versions, use a single fill color or
currentColorthroughout
Phase 6: Typography & Lettering
6.1 Typeface Strategy
| Brand Personality | Type Category | Characteristics |
| Classic, authoritative | Serif | Tradition, elegance, trustworthiness |
| Modern, clean | Sans-serif | Clarity, simplicity, technology |
| Creative, personal | Script / Handwritten | Warmth, individuality, artistry |
| Technical, precise | Monospace | Code, engineering, systems |
| Futuristic, architectural | Geometric sans | Structure, innovation, boldness |
| Luxurious, editorial | High-contrast serif / didone | Sophistication, fashion, premium |
6.2 Typographic Refinement
- Letter-spacing: optically adjust per character pair, not a uniform value — critical for wordmarks
- Stroke weight: ensure visual consistency at all scales; thin strokes may vanish at small sizes
- Corner treatment: rounded corners convey warmth; sharp corners convey precision
- Baseline alignment: when combining icon and text, align to optical center, not mathematical center
- Custom modifications: consider cutting, extending, connecting, or reshaping individual letterforms to create a unique logotype
6.3 Font Implementation in SVG
- Preferred: convert text to SVG
<path>for the final logo — eliminates font-loading dependencies and ensures pixel-perfect rendering everywhere - When using live text (for editability), import Google Fonts via
@importin<style>and always specify a fallback stack - For wordmarks and lettermarks, path conversion is strongly recommended
Phase 7: SVG Implementation Standards
7.1 File Structure
<svg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 {width} {height}"
role="img" aria-label="{Brand Name} Logo">
<title>{Brand Name} Logo — {Variant Description}</title>
<desc>Brief description of the logo design for accessibility.</desc>
<defs>
<!-- Gradients, clip paths, masks -->
</defs>
<style>
/* CSS custom properties, font imports */
</style>
<!-- Logo geometry -->
</svg>7.2 Technical Requirements
- Always use
viewBoxfor scalability; do NOT hardcodewidth/heighton the root<svg>(or set them to responsive values like100%) - Keep markup clean — minimize
<g>nesting and avoid unnecessarytransformattributes - Use semantic element names and
idattributes for maintainability - Optimize
<path>data — remove redundant control points, simplify curves, use shorthand commands (e.g.,h,v,z) - Prefer basic shapes (
<circle>,<rect>,<ellipse>,<polygon>,<line>) over complex paths when they achieve the same result - Ensure all colors are defined in one place (CSS variables or a single
<style>block)
7.3 Quality Checklist
Before delivering each SVG, verify:
- Renders correctly at 16x16 (favicon), 64x64 (app icon), and 512+ (hero size)
- No visual artifacts at any scale
- Text is either converted to paths or has proper font fallbacks
viewBoxis set and no fixed dimensions on root- Accessibility attributes present (
<title>,aria-label,role="img") - File is reasonably compact (no bloated path data)
7.4 Prohibitions
- No
<image>tags embedding raster bitmaps - No complex filter effects (
<filter>,feGaussianBlur,feTurbulence) — they degrade at small sizes and increase file weight - No overly detailed illustrations — logos must reduce to simple, recognizable forms
- No fonts without fallbacks
- No generic clip-art aesthetics — every logo must feel intentionally crafted for this specific brand
Phase 8: Delivery
8.1 Default Deliverables: 3 Distinct Concepts
Each concept explores a fundamentally different direction:
| Concept | Direction | Purpose |
| A | Bold / innovative | Pushes creative boundaries; the "unexpected" option |
| B | Classic / safe | Proven style, polished execution; the "reliable" option |
| C | Unique angle | A synthesis or an unconventional take; the "surprise" option |
Each concept must be a separate SVG file.
8.2 File Naming Convention
logos/{brand}-concept-a-{style}.svg # e.g. logos/acme-concept-a-wordmark.svg
logos/{brand}-concept-b-{style}.svg # e.g. logos/acme-concept-b-abstract.svg
logos/{brand}-concept-c-{style}.svg # e.g. logos/acme-concept-c-emblem.svg8.3 Output Workflow
- Create a
logos/directory in the current working directory - Write each SVG file to
logos/ - Open each SVG in the browser using
open(macOS) for immediate visual preview - Present each concept to the user with:
- Design rationale — why this direction, what story it tells
- Letter analysis connection — how the name analysis informed this specific design
- Recommended use cases — where this style works best (digital, print, merch, etc.)
- Color palette — hex values and the reasoning behind the choices
Phase 9: Iteration & Refinement
9.1 Feedback Collection
After presenting the 3 concepts, ask:
- Which concept resonates most (or which elements from multiple concepts to combine)?
- What needs adjustment — color, proportion, weight, symbol, typography?
- Does the overall feel match the brand's personality?
9.2 Iterative Refinement (2-3 Rounds)
- Iterate rapidly — SVG is code, so changes are precise and fast
- Each round: produce 2-3 variations of the chosen direction
- Progressively narrow toward the final mark
- Open updated SVGs in the browser after each round for side-by-side comparison
9.3 Final Delivery (After User Approval)
Once the user confirms the final design, provide:
- Full-color version — the primary brand logo
- Monochrome version — single-color (black) for maximum versatility
- Reversed version — white/light version for dark backgrounds
- Usage notes:
- Minimum recommended display size
- Clear-space guidelines (safe area around the logo)
- Color values (hex, RGB)
- Brief do's and don'ts
Workflow Summary
Discovery → Research → Letter Analysis → [User Checkpoint]
→ Design Direction → Color & Type → 3 SVG Concepts
→ Browser Preview → [User Feedback]
→ Iterate (2-3 rounds) → Final DeliveryCommunicate with the user at every checkpoint. Never design in isolation — validate direction before investing in execution. The best logos emerge from dialogue, not from a single pass.
Other versions9 projects use a version of this.
Word for word · 0
None found.
Edited · 0
None found.
Wrote their own version · 9
- kaankiziltug/logo-design-skill★ 4.5ksame name
- yunshu0909/yunshu_skillshub★ 760same name
- 1999AZZAR/designer-mcp★ 15same name
- 1999AZZAR/the-designer★ 15same name
- Hela-Ecosystem/designer-mcp★ 15same name
- mia-cx/skills★ 5same name
- mertbuilds/skills★ 2same name
- docaohieu2808/claude-skills★ 0same name
- noamgariani11/claude-skills★ 0same name
How matches are found. Word for word: the exact same text. Edited: shares passages with this file (“99% same” means 99% of its five-word phrases also appear here; 10% or more counts). Their own version: similar meaning, or, weakest, the same name. We can’t tell which project had it first. Projects are counted among the 200 most-starred candidates, and mentions are links to the repository we found, up to 50 per site, so both counts are a floor.
In this repository5 other files it gives its agents.
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