davinci-resolve-export-multi-platform
Skill19 starsChanged 6 months agoMITView on GitHub
Use when a user needs to export the same DaVinci Resolve edit for multiple platforms — YouTube (16:9), LinkedIn (square 1:1), Reels/Shorts/TikTok (9:16) — with correct dimensions, loudness, and optionally batch automation. Triggering symptoms include phrases like "export for YouTube and LinkedIn", "make a vertical version", "9:16 from my 16:9 edit", "render the same edit three times", "batch render", "generate captions", or any DaVinci Resolve Deliver/render question.
1 other project uses a version of this.
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- kitloomlk-stack/davinci-resolve-video-kitword for word, first seen Oct 17, 2026
Other versions1 project uses a version of this.
Word for word · 1
- kitloomlk-stack/davinci-resolve-video-kit★ 0100% same
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How matches are found. Word for word: the exact same text. Edited: shares passages with this file (“99% same” means 99% of its five-word phrases also appear here; 10% or more counts). Their own version: similar meaning, or, weakest, the same name. We can’t tell which project had it first. Projects are counted among the 200 most-starred candidates, and mentions are links to the repository we found, up to 50 per site, so both counts are a floor.
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The file
We split this skill into the rules it gives an agent
3 rules. About 0 are common, 3 are distinctive, and 0 are very specific to this project.
≈0
Common · estimate
Many files like this have a rule of this kind.
≈3
Distinctive · estimate
This author's own choices. Worth a look.
0
Very specific
Tied to their project's names, files or tools. Probably skip.
- Common
- Distinctive
- Very specific
- Distinctive: line 23
When NOT to use:
- Distinctive: line 44
Do not treat an SRT file as enough when the user asked for burned-in Netflix-style captions.
- Distinctive: line 158
If the user reports Smart Reframe drift, render failures, missing subtitles, or wrong loudness on delivered files, read these PDF page …
≈ “Common” is an estimate: at least 1 in 5 of the 350,495 skill files we read have a rule of the same kind, not the same words. “Very specific” is our guess from the words: it names a file, a command, a setting or the project itself.
Files
DaVinci Resolve — export the same edit for YouTube, LinkedIn, and Shorts
Overview
One source edit, three platform-specific exports, optionally automated with Python. The core principle: let Resolve's AI Smart Reframe do the reframing for you — do not manually keyframe Position for every clip when you change aspect ratio. Then save custom render presets so the next video is a one-click affair.
This skill also covers two merged JTBDs: auto-generating subtitles and batch-rendering with the Python API.
When to use
Symptoms:
- Need to ship the same video to YouTube + LinkedIn + Reels/Shorts/TikTok
- Need a vertical version of an existing 16:9 edit
- Need to add captions/subtitles to your video
- Want to automate "render this and that and the other" with a script
- Have multiple timelines to render in series and do not want to babysit Resolve
When NOT to use:
- One-off rendering of a single platform — use Quick Export (Edit page top-right cloud icon).
- DCP (digital cinema) export — separate Colorist Guide workflow (pp. 431-447).
Quick reference
| Target | Resolution | Audio standard | Codec |
| YouTube (long-form) | 1920x1080 (or 3840x2160) | YouTube (-14 LUFS) | H.264 or H.265 |
| LinkedIn (feed) | 1080x1080 (square) | Streaming (-16 LUFS) | H.264 |
| Reels / Shorts / TikTok | 1080x1920 (vertical) | Streaming (-16 LUFS) | H.264 |
For HITL Resolve handoffs, create separate timelines before rendering:
Instagram Semantic Cutor equivalent for vertical social.YouTube Semantic Cutor equivalent for horizontal long form.- V1/V2/V3 for source picture layers.
- V4 for burned-caption/title graphics.
- A1/A2 for source and processed dialogue.
- A3/A4 for music, SFX, bumpers.
Do not treat an SRT file as enough when the user asked for burned-in Netflix-style captions. Captions must be visible in the video frame and editable as a layer or template until final render.
Steps
Phase 1 — Reframe your 16:9 source for vertical and square versions
Editor's Guide pp. 569-575 covers AI Smart Reframe.
- Press Shift-4 to go to the Edit page.
- Right-click your master timeline in the Media Pool > Duplicate Timeline. Name the duplicate
MASTER_TIMELINE_VERTICAL. - Open the duplicate. In the timeline, click the Timeline Resolution dropdown (top of the viewer) > custom > set to
1080x1920(vertical). - Resolve will warn that clips will be cropped. Click OK.
- Select all clips. Right-click > Smart Reframe (Studio only — for free Resolve, use manual keyframes via the Position parameter in the Inspector).
- In the Smart Reframe dialog, choose Object of Interest: Auto and click Reframe. Resolve adds keyframes that keep the main subject in frame even as the aspect ratio crops the edges.
- Scrub through and check — if a clip drifted (e.g. the AI followed the wrong person), select that clip and either:
- Reset Position keyframes and use the Reference Point mode to manually click the subject
- Or set Position X manually via the Inspector
- Repeat for
MASTER_TIMELINE_SQUAREat1080x1080.
Editor's Guide pp. 572-575 covers the Reference Point fallback when AI Smart Reframe picks the wrong subject.
Phase 2 — Add captions with AI-generated subtitles
Editor's Guide pp. 586-590 covers Create Subtitles from Audio.
- With your timeline open, choose Timeline menu > AI Tools > Create Subtitles from Audio.
- In the dialog:
- Language: Auto (or specific language)
- Caption Preset: Subtitle Default
- Maximum: 42 characters per line
- Lines: Single (or Double if you have very long sentences)
- Gap Between Subtitles: 0 frames
- Click Create. Resolve transcribes and adds a Subtitle track to your timeline.
- Fix the inevitable errors — playback the timeline, double-click any subtitle clip in the Subtitle track to edit the text. The AI gets technical terms, brand names, and acronyms wrong constantly.
- To export subtitles as an SRT file, right-click the Subtitle track > Export Subtitles > choose SRT format.
Phase 3 — Build the three render presets
Editor's Guide pp. 577-580 covers Save As New Preset.
- Press Shift-8 to switch to the Deliver page.
- In Render Settings, click H.264 Master.
- Configure:
- File Name: type
%timeline_namethen choose the Timeline Name variable from the dropdown - Location: browse to your
08 — Exportsfolder - Render: Single clip
- Video tab: Format = MP4, Codec = H.264, Resolution = Timeline Resolution (this picks up the current timeline's dimensions)
- Audio tab > Export Audio: ON, Codec AAC, Bit Rate 320 Kb/s
- Audio tab > Audio Normalization: enable Normalize Audio > Optimize to standard > Standard = YouTube (-14 LUFS, -1.0 dBTP)
- File Name: type
- Click the Options menu (
...) at top of Render Settings > Save As New Preset. - Name:
DEVREL_YOUTUBE_1080. Check Add to quick export. Save. - Repeat for LinkedIn (1080x1080, audio standard = Streaming) and Shorts (1080x1920, audio standard = Streaming).
Phase 4 — Queue and render all three
- Open your YouTube timeline > Deliver page > select
DEVREL_YOUTUBE_1080preset > click Add to Render Queue. - Switch to your LinkedIn timeline > Deliver page > select
DEVREL_LINKEDIN_1080preset > Add to Render Queue. - Switch to your Shorts timeline > Deliver page > select
DEVREL_SHORTS_1080preset > Add to Render Queue. - In the Render Queue panel (right side), click Render All.
- Walk away. Resolve renders all three serially.
Python automation — batch render multiple timelines
This is the merged "batch render with Python API" JTBD. The script below assumes Resolve is running, a project is open, and you have already saved render presets named DEVREL_YOUTUBE_1080, DEVREL_LINKEDIN_1080, DEVREL_SHORTS_1080. The script walks every timeline in the project and adds a render job for each preset that matches the timeline's aspect ratio.
See scripts/multi_platform_render.py for the full script.
The script uses the official DaVinci Resolve scripting API as documented in DaVinci Resolve/Developer/Scripting/README.txt:
Resolve.GetProjectManager()
ProjectManager.GetCurrentProject()
Project.GetTimelineByIndex(idx)
Project.GetTimelineCount()
Project.LoadRenderPreset(preset_name)
Project.SetRenderSettings(settings_dict)
Project.AddRenderJob()
Project.StartRendering()
Project.IsRenderingInProgress()These methods are real and documented. The script has been written defensively — it prints what it would do before doing it, and it confirms via stdin before starting the actual render.
Common mistakes
- Manually keyframing Position to vertical-frame every clip -> there is a button for that. Use AI Smart Reframe (Studio) or at minimum the per-clip Reframe button in the Inspector. (Editor's Guide pp. 572-575.) (This is the misconception this skill addresses head-on.)
- Saving the YouTube preset without enabling audio normalization -> your videos will be inconsistent across uploads. Always enable Optimize to standard.
- Forgetting that AI Smart Reframe is Studio-only -> free Resolve has manual Position keyframes only. Either upgrade or accept manual reframing.
- Trusting AI-generated subtitles without proofreading -> always playback and fix. They will mangle product names, acronyms, and technical jargon.
- Rendering all three timelines at once on a single GPU -> Resolve renders serially anyway. There is no penalty for queueing all three; do not start three Resolve instances.
Verification
You succeeded if all of the following are true:
- Your
08 — Exportsfolder contains three MP4 files: one 1920x1080, one 1080x1080, one 1080x1920. - Each file plays cleanly when dragged into VLC / QuickTime.
- The vertical version keeps the main subject in frame for the entire duration (no awkward background-only stretches).
- Subtitles burn in correctly on platforms that auto-display them, or are exported as
.srtfor upload alongside the MP4. - Audio loudness measured by a third-party LUFS meter (e.g. YouLean Loudness Meter, free) reads -14 LUFS ±1 for the YouTube file.
Transfer
Now try this: add a fourth target — Twitter / X video at 1920x1080 but capped at 2:20 duration. Build a Twitter timeline that is a shorter cut of your master (use the trim workflow from davinci-resolve-cut-screen-recording). Save a new DEVREL_TWITTER_1080 render preset. Add it to the Python script. You now have a one-script, four-platform export pipeline.
Working reference
docs/wiki/editors-guide.md#lesson-9--delivering-projects-pp-545-617(full Deliver chapter — primary)docs/wiki/editors-guide.md#lesson-9--delivering-projects-pp-545-617(AI Smart Reframe specifics inside the chapter notes)docs/wiki/master.md#shared-glossary-terms-that-appear-across-multiple-pdfs(LUFS / dBTP / AI Smart Reframe glossary)docs/wiki/master.md#reset-matrix--when-the-user-pushes-back-read-this(Smart Reframe + render failure rows)
When the agent's work isn't matching expectations (context-rot reset)
If the user reports Smart Reframe drift, render failures, missing subtitles, or wrong loudness on delivered files, read these PDF page ranges to reset:
DaVinci-Resolve-20-Editors-Guide.pdfpp. 545-617 (Lesson 9 — Delivering Projects, full chapter)DaVinci-Resolve-20-Editors-Guide.pdfpp. 569-575 (AI Smart Reframe — Object of Interest vs Reference Point modes)DaVinci-Resolve-20-Editors-Guide.pdfpp. 577-580 (Creating a Custom Render Preset)DaVinci-Resolve-20-Editors-Guide.pdfpp. 586-590 (Generating Subtitles from Audio)DaVinci-Resolve-20-Editors-Guide.pdfpp. 597-617 (Customizing Deliver Presets, Verifying the Exported Files)- DaVinci Resolve Scripting API:
DaVinci Resolve/Developer/Scripting/README.txt(shipped with installer)
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